|Queen Amalie Auguste, c. 1823.|
It’s Paris Fashion Week, an event I am sure that Kate Cochrane would have loved – certainly the spectacle if not all of the styles.
When it came to dressing my own heroine, the prospect took me in directions I couldn’t have imagined. I periodically found myself in the midst of writing a scene – a ball, a dinner, a horseback ride – and then stopping cold when it came to describing what Kate had on. For inspiration, I turned to the fabulous collections of material objects at the Victoria & Albert Museum in London, and the Metropolitan Museum of Art in New York.
I didn’t want to describe any old dress, or any type of jewels; I wanted what Kate wore to be as authentic and specific as possible to the age in which she lived. One of my favorite scenes in the novel involves Kate receiving a pair of emerald earrings from her husband. But how were they shaped? Were the earrings large or small? Did the stones appear simple or ornate? After many winding paths via Google searches and scouring museum collections, I found an image of a stunning pair of emerald earrings (and matching necklace!) that was allegedly a gift from the emperor Napoleon Bonaparte to his adopted daughter. Quelle merveille!
|Emerald earring and necklace. V&A Museum.|
I followed a similar approach for other aspects of Kate’s wardrobe, finding example of dresses and fabrics that show likely possibilities for what she would have worn. Silk for evening, or perhaps an airy muslin trimmed with silver threads, with cotton fabrics for daytime. Luckily, there are many people just as interested in the Regency and Georgian periods as I am, and I found a wealth of sources. The Jane Austen’s World blog, Jane Austen Centre, and Jane Austen’s London were all enormously helpful.
The Cochranes, my Pinterest board inspired by Kate and her family, shows more of the clothes, jewels, people, and places that inspire my novel!